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May 2010
A Side Note:
This article is an editorial from Eric R. Rogers,
Executive Director of Arts Place, Inc. in reference
to the Indiana Arts Commission’s restructuring plan
that was passed on April 15th.
The article is the second in a two-part series
devoted to the IAC restructuring.
Part one of the series can be viewed in last month’s
Main Artery featured article.
Click here to read the
April featured article. |
What's It All
About? A View from the Arts Place Executive's
Desk
As we reported in last month’s Main Artery,
the
Indiana Arts Commission (IAC) recently
restructured its service delivery program. Amongst
the Regional Arts Partners, there was no question
that the IAC needed to reduce costs given the
significant budget cutbacks necessitated by State
revenue shortfalls. For that reason, the Regional
Arts Partnership Consortium proposed a number of
changes that would have reduced current IAC funding
of partner programs and services by over 35%.
While accepting some of the Regional Arts Partners
concerns, the IAC approved drastic changes that will
cut support for arts partner services and programs
by more than 50%. These changes will also markedly
reduce the role of the partners in providing
services on behalf of the IAC in their respective
regions. As compared to the fiscal year ended June
30, 2009, it appears likely that IAC support for
Arts Place services, programs, and operations will
drop by as much as 76% for the coming fiscal year.
The proposals that were initially approved at the
IAC's March 12th business meeting
represented a reversal of direction towards an
outmoded centralized decision-making system. While
several modifications were made at the April 15th
commissioners’ meeting, the restructuring retains
most of the centralized decision-making approach
approved in March.
Although many commissioners voiced their support for
the Regional Arts Partnership, the IAC’s actions
belie a disturbing governance and management trend.
Indeed, the recent policy changes reflect a
significant difference of view between the IAC and
the Regional Arts Partners on the best ways to
deliver services, make decisions, and serve all the
residents of Indiana.
One particular challenge for the partners has been
the IAC’s evolving view that technical assistance is
an administrative cost. Given this faulty
proposition, it is understandable that the IAC staff
argued that Regional Arts Partner administrative
costs were too high.
As anyone who has served as a teacher understands,
teaching and administration are two distinct
functions. One of the most important services that
the Regional Arts Partners have provided is helping
artists and arts organizations meet their training
needs, whether by directly providing this service or
finding the individuals who can provide such
assistance (usually pro bono). Technical assistance
is so integral to the work of Regional Arts Partners
that for this writer’s part, the daily morning
routine of opening email requires responding to
several technical assistance inquiries with either
advice or setting up appointments.
The Regional Arts Partnership was founded on several
key concepts. One of them was that decision-making
should be made as close as possible to the people
affected by those decisions. Another of the
concepts was that every community, whether a
neighborhood in a large urban center or a rural
county, should have equal access to state arts
funding and services. Centralized decision-making
assures that these concepts will be compromised.
The Regional Arts Partners will no longer have a
significant role in assisting the IAC in cultural
needs assessment. As well, arts information
services will no longer be considered a valued
service of the Regional Arts Partners. A
significant component of technical assistance will
be handled centrally.
On the positive side, the IAC did relent in its
decision to take technical assistance entirely away
from the Regional Arts Partners. This is fortunate
for the field, as the partners have far more contact
with the communities in their respective regions
than any central administration could ever hope to
achieve. As well, the largest grants making
category managed by the Regional Arts Partners (Arts
Organization Support II) was left with the partners
under the modified plan.
The Regional Arts Partner representatives had
strenuously objected to the proposal to change the
designation of Regional Arts Partner to Regional
Grants Agent or Regional Grants Administrator. The
Regional Arts Partners commit significant financial
and human capital resources to the Regional Arts
Partnership beyond the resources of the IAC. To
reduce the role of the Regional Arts Partners to
agents or administrators would have undermined the
collaborative nature of the program that has been a
foundation of its success.
James Surowiecki aptly demonstrates in The Wisdom
of Crowds
that "decisions about local problems should be made,
as much as possible, by people close to the problem…
Instead of assuming that all problems need to be
filtered up the hierarchy and every solution
filtered back down again, companies should start
with the assumption that, just as in the
marketplace, people with local knowledge are often
best positioned to come up with a workable and
efficient solution. The virtues of specialization
and local knowledge often outweigh managerial
expertise in decision making."
Let's hope the
Indiana Arts Commission quickly recognizes the
fundamental flaws in its turn towards centralized
planning and services.
Surowiecki, James: The Wisdom of
Crowds: Why the many are smarter than the
few and how collective wisdom shapes
business, economies, societies, and nations.
© 2004. New York: Doubleday. 296 pp.
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